Making and Shaping

“A people so gifted must bring in their turn a very precious gift to literature; for is it not the function of literature by making known the real and imagined experiences of gifted souls to reveal to common men all the hidden splendours of the world and to make vocal its silent music? ”
PH Pearse

We don’t blush to say that the creative talents of the Irish people are among the wonders of the world. Whether we’re talking about music, poetry, art, literature, dance, or any form of creative expression, when the Irish speak, the world listens.

And yet even this formidable latter-day reputation is but a wan reflection of past glories which still astound after centuries and millennia. Our illuminated manuscripts created to glorify God, the intricate knotwork—entirely a product of Irish culture—inviting contemplation of eternity, fine metalcraft and engraving, our language itself and so much more all stand as a shimmering testament to the generative energy of the Irish.

As we begin to redevelop our connection to our own traditions and culture, a necessary companion along the way must be adding to the treasury of our shared cultural heritage.

It need not be anything so ambitious as a novel or an illuminated manuscript—even by taking small steps, rediscovering the arts of our ancestors, and immersing ourselves in their lessons and lore, we can tease out the same inspirations and enrich our own lives and those of the people around us.

So here are a few suggestions and places to start! These are but a small sample of the many great tutorials which can be found online.

Gaelic Art

  • Celtic Art - The Methods of Construction, by George Bain. This is the essential book for anyone wanting to design art based on manuscripts like The Book of Kells. It also forms a firm foundation for knotwork embellishments in any medium.
  • The Celtic Design series by Aidan Meehan is similar, though sometimes uses different methods to Bain, this series of over a dozen books has the advantage of drawing on the pre Christian Neolithic/Hallstatt/La Tene art styles a well as early medieval knotwork. It offers a wealth of ideas and options for creativity for young and old alike.

Dance

Irish dancing is a formidably complex style of dance, but anyone can learn and share a basic jig and steps. Here is a video made by an Irish dancing world champion to help get you started:
https://www.youtube.com/watch?v=3N2RsCuzFPg

Music

Crafting

There’s no end to the arts and crafts to which an Irish style could be applied—painting, sculpture, chainsaw carving, literature, poetry, song, topiary, any musical instrument, and so on. It’s not practical to try to list them all or even most of them here, so we have instead made a modest list of some unusual and traditional arts. There are many more.

  • Bronze casting—some of the most remarkable artifacts from Irish history come to us from the Bronze Age. It’s not all that difficult to get into bronze casting, but please be careful! https://www.youtube.com/watch?v=spfX_SxoEpY
  • Basket weaving—basketry has been a highly valued skill in Ireland since the Mesolithic, when reeds and willow sticks were used to shape fish traps, baskets, coracles, furniture, shields and armour, and a great many other things. https://www.youtube.com/watch?v=iaPbg3C3lLE
  • Stick making—the Irish blackthorn is the traditional Irish walking stick, also known as the shillelagh. The materials to make these remarkable sticks can be found by the roadside in many parts of Ireland. https://www.youtube.com/watch?v=ih_ffnisTTw
  • Basic ancient crafts—even trying your hand at very simple ancient crafts like starting a fire with flint and steel, making a whistle out of a bone, finding local dyes as the ancient Irish used to do, or turning wool into cloth are all exhilarating  ways to get closer to the traditions and lives of those who came before us. https://www.youtube.com/watch?v=kteSUFEplWk
  • Coracle making—it might seem ambitious but with some simple materials, making your own small coracle or boat is relatively easy. Always be careful on open water! https://www.youtube.com/watch?v=FU5pKNN82yA
  • Súgán rope—a traditional rope made from straw, used for many purposes including woven chair seats, cradles and baskets. https://www.duchas.ie/en/cbes/4678374/4673210/4678887

Chapter List (click to read):

1. Foreword
2 The Irish Language
3. Reading
4. Making and Shaping
5. The Physical Gael
6. The Warrior Gael
- The Crios Belt
- Open Hand Traditions
- Collar and Elbow Wrestling
- Gaelic Weapons
- Seanbhata
- Seanbhata Basics
- Seanbhata Guards
- Seanbhata Strikes and Blocks
- Seanbhata Close Fighting
- The Heroic Feats
7. Tradition and Culture
8. Organisation

An Claíomh Solais means "The Sword of Light", and is named after an Irish newspaper originally published around the beginning of the twentieth century. This project is opening a window to that time, not so long ago, and sharing the hopes, dreams and visions of the men and women who founded the modern Irish Republic.

The project will follow in their footsteps along the path laid down by Hyde, O'Conaire, MacNeill, Cusack and many others through sharing news, ideas, articles of Irish cultural interest and more, as well as helping to support Irish language and cultural initiatives. You can find out more about An Claíomh Solais by clicking on the buttons below, or join our team as we begin the great Gaelic restoration!

An interview with Rob Carry

Good afternoon! As part of our ongoing series on rising nationalist stars and voices in Ireland, we're delighted to be able to introduce local community activist, businessman and politician, Rob Carry! 

We've been talking about his amazing work for and with his community, as well as his aspirations and plans for the future. 

ACS: Can you tell us a little about yourself, your background, and where you're coming from?

RC: Sure. So I’m a small business owner (I run a commercial gym, a martial arts club
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An Interview with Gavin from Offgrid Ireland

Good morning and welcome to another in our series of interviews with prominent figures and rising stars in modern Irish nationalism!

Today we're talking to Gavin from a prominent and influential online discussion group, the X SPACES Éire Community. This very active group has at one time or another hosted many well-known nationalist names and continues to grow in both size and influence.

ACS: Can you share with our readers some of your background and a little about who you are?

OI: I am an Offaly man, born and bred, now in my la
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A New Voice For Ireland

We are pleased to introduce a new rising star among Irish nationalists - although she needs no introduction for many of you who have attended Irish Ireland protests recently - Ciara Ní Mhainnín! Her uncompromising voice offers a clear challenge to the establishment and a great example for us all to follow.

Ciara very kindly took the time to join us in an online interview, which we are delighted to publish here.

ACS: What made you decide to get involved with the Irish Ireland cause, was there one particular event or was it more of a process?


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The last address of Thomas MacDonagh

There is not much left to say. The Proclamation of the Irish Republic has been adduced in evidence against me as one of the Signatories. I adhere to every statement in the Proclamation. You think it already a dead and buried letter, but it lives, it lives. From minds alight with Ireland’s vivid intellect it sprang; in hearts aflame with Ireland’s mighty love it was conceived. Such documents do not die.

The British occupation of Ireland has never for more than one hundred years been compelled to confront in the field of fight a Rising so formidable as that which overwhe
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From A Hermitage - DECEMBER 1913

I was once stranded on a desert island with a single companion. When two people are stranded on a desert island they naturally converse. We conversed. We sat on a stony beach and talked for hours. When we had exhausted all the unimportant subjects either of us could think of, we commenced to talk about important subjects. (I have observed that even on a desert island it is not considered good form to talk of important things while unimportant things remain to be discussed.) 

We had very different points of views, and very different temperaments. I was a boy; my companion was
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On Emigration

From An Claidheamh Soluis, July 18, 1903.

In a letter to the Freeman’s Journal of Friday last, the Hon. Secretary of the Anti-Emigration Society directs attention to the grim figures revealed by the latest emigration returns issued by the Board of Trade.

    ‘They show,’ she writes, ‘that 23,401 Irish emigrants left the United Kingdom in the first six months of the current year as against 20,610 in the corresponding period of 1902, and that the outflow has therefore increased by 2,791 for the half year. Over two thousand of this incr
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