Making and Shaping

“A people so gifted must bring in their turn a very precious gift to literature; for is it not the function of literature by making known the real and imagined experiences of gifted souls to reveal to common men all the hidden splendours of the world and to make vocal its silent music? ”
PH Pearse

We don’t blush to say that the creative talents of the Irish people are among the wonders of the world. Whether we’re talking about music, poetry, art, literature, dance, or any form of creative expression, when the Irish speak, the world listens.

And yet even this formidable latter-day reputation is but a wan reflection of past glories which still astound after centuries and millennia. Our illuminated manuscripts created to glorify God, the intricate knotwork—entirely a product of Irish culture—inviting contemplation of eternity, fine metalcraft and engraving, our language itself and so much more all stand as a shimmering testament to the generative energy of the Irish.

As we begin to redevelop our connection to our own traditions and culture, a necessary companion along the way must be adding to the treasury of our shared cultural heritage.

It need not be anything so ambitious as a novel or an illuminated manuscript—even by taking small steps, rediscovering the arts of our ancestors, and immersing ourselves in their lessons and lore, we can tease out the same inspirations and enrich our own lives and those of the people around us.

So here are a few suggestions and places to start! These are but a small sample of the many great tutorials which can be found online.

Gaelic Art

  • Celtic Art - The Methods of Construction, by George Bain. This is the essential book for anyone wanting to design art based on manuscripts like The Book of Kells. It also forms a firm foundation for knotwork embellishments in any medium.
  • The Celtic Design series by Aidan Meehan is similar, though sometimes uses different methods to Bain, this series of over a dozen books has the advantage of drawing on the pre Christian Neolithic/Hallstatt/La Tene art styles a well as early medieval knotwork. It offers a wealth of ideas and options for creativity for young and old alike.

Dance

Irish dancing is a formidably complex style of dance, but anyone can learn and share a basic jig and steps. Here is a video made by an Irish dancing world champion to help get you started:
https://www.youtube.com/watch?v=3N2RsCuzFPg

Music

Crafting

There’s no end to the arts and crafts to which an Irish style could be applied—painting, sculpture, chainsaw carving, literature, poetry, song, topiary, any musical instrument, and so on. It’s not practical to try to list them all or even most of them here, so we have instead made a modest list of some unusual and traditional arts. There are many more.

  • Bronze casting—some of the most remarkable artifacts from Irish history come to us from the Bronze Age. It’s not all that difficult to get into bronze casting, but please be careful! https://www.youtube.com/watch?v=spfX_SxoEpY
  • Basket weaving—basketry has been a highly valued skill in Ireland since the Mesolithic, when reeds and willow sticks were used to shape fish traps, baskets, coracles, furniture, shields and armour, and a great many other things. https://www.youtube.com/watch?v=iaPbg3C3lLE
  • Stick making—the Irish blackthorn is the traditional Irish walking stick, also known as the shillelagh. The materials to make these remarkable sticks can be found by the roadside in many parts of Ireland. https://www.youtube.com/watch?v=ih_ffnisTTw
  • Basic ancient crafts—even trying your hand at very simple ancient crafts like starting a fire with flint and steel, making a whistle out of a bone, finding local dyes as the ancient Irish used to do, or turning wool into cloth are all exhilarating  ways to get closer to the traditions and lives of those who came before us. https://www.youtube.com/watch?v=kteSUFEplWk
  • Coracle making—it might seem ambitious but with some simple materials, making your own small coracle or boat is relatively easy. Always be careful on open water! https://www.youtube.com/watch?v=FU5pKNN82yA
  • Súgán rope—a traditional rope made from straw, used for many purposes including woven chair seats, cradles and baskets. https://www.duchas.ie/en/cbes/4678374/4673210/4678887

Chapter List (click to read):

1. Foreword
2 The Irish Language
3. Reading
4. Making and Shaping
5. The Physical Gael
6. The Warrior Gael
- The Crios Belt
- Open Hand Traditions
- Collar and Elbow Wrestling
- Gaelic Weapons
- Seanbhata
- Seanbhata Basics
- Seanbhata Guards
- Seanbhata Strikes and Blocks
- Seanbhata Close Fighting
- The Heroic Feats
7. Tradition and Culture
8. Organisation

An Claíomh Solais means "The Sword of Light", and is named after an Irish newspaper originally published around the beginning of the twentieth century. This project is opening a window to that time, not so long ago, and sharing the hopes, dreams and visions of the men and women who founded the modern Irish Republic.

The project will follow in their footsteps along the path laid down by Hyde, O'Conaire, MacNeill, Cusack and many others through sharing news, ideas, articles of Irish cultural interest and more, as well as helping to support Irish language and cultural initiatives. You can find out more about An Claíomh Solais by clicking on the buttons below, or join our team as we begin the great Gaelic restoration!

The Flame Still Burns: The Unbroken Spirit of Gaelic Ireland

There is a fire that has never gone out.

Though winds have blown across our hills and empires have cast their shadows upon our land, the spirit of Gaelic Ireland remains—a living ember in the hearts of her sons and daughters. It is not a myth or memory. It is blood. It is breath. It is the pulse beneath the skin of the nation, ancient and eternal.

Ireland was never just a place. It was, and is, an idea—a sacred trust handed down through generations of warriors, poets, craftsmen, mothers, fathers, and the noble dead. The Gael did not simply inhabit this land&m
Read more...

PH Pearse Letters Awaiting Execution 2

Kilmainham Prison
Dublin
3rd May 1916

My Dearest Mother,

I have been hoping up to now that it would be possible for me to see you again, but it does not seem possible. Goodbye, dear, dear mother. Through you I say goodbye to Wow-Wow, M.B., Willie, Miss Byrne, Miceal, Cousin Maggie and everyone at St Enda’s. I hope and believe that Willie and the St Enda's boys will be safe.

I have written two papers about financial affairs and one about my books, which I want you to get. With them are a few poems which I want added to the poems of mine i
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PH Pearse Letters Awaiting Execution I

Arbour Hill Barracks,
Dublin,
1st May 1916.

Dearest Mother,

You will, I know, have been longing to hear from me. I don't know how much you have heard since the last note I sent you from the G.P.O.

On Friday evening the post office was set on fire, and we had to abandon it. We dashed into Moore Street, and remained in the houses in Moore Street until Saturday afternoon. We then found that we were surrounded by troops, and that we had practically no food. We decided, in order to avoid further slaughter of the civil population and in the hope of
Read more...

A marvellous description by Liam Bulfin

A marvellous description by Liam Bulfin in United Irishman ar 21 Aibreán 1906. Give us ten such men and English will be a second language in a generation!

“This is Pádraig Ó Dálaigh, General Secretary, a southerner. He can work 12 and 15 hours a day. He has a perfect constitution. With care he may live to eat square meals in the 21st century. He seems to have lived a long time already although his face is under the 30 limit. It is his brain that is old. His heart and all the rest of him are young ...

Under my personal observation he has
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Mionn

I n-ainm Dé,
Dar Críost a Aon-Ṁac,
Dar Muire a Ċaoṁ-Ṁáṫair,
Dar Pádraic Apstal Gaeḋeal,
Dar dílseaċt Ċuilm Ċille,
Dar clú ar gciniḋ,
Dar crú ar sinnsear,
Dar dúnṁarḃaḋ Aoḋa Ruaiḋ,
Dar bás truaiġṁéileaċ Aoḋa Uí Néill,
Dar oiḋeaḋ Eoġan Ruaiḋ,
Dar mian an tSáirséalaiġ le huċt a ḃáis,
Dar osna éagcoṁlainn an Ġearaltaiġ,
Dar créaċtaiḃ cróil
Read more...

Collapse of the Terror

British Rule's Last Stages

What the Elections Meant

We have seen how in ancient Ireland the people were themselves the guardians of their land, doing all for themselves according to their own laws and customs, as interpreted by the Brehons, which gave them security, prosperity, and national greatness, and how this was upset by the English determination to blot out Irish ways, when came poverty, demoralisation and a false respect for English standards and habits.

The English power to do this rested on military occupation and on econ
Read more...

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